Showing posts with label Classes. Show all posts
Showing posts with label Classes. Show all posts

Sunday, October 2, 2011

Candle Light Restorative & Yoga Nidra





Tonight starts the new restorative class on Sundays at the arrowhead studio.  The class length is longer and yoga nidra has been incorporated.  A beautiful yogi, Marsha, will be guiding this class.  This class is a slight beautiful departure from the previous teachers class, but change is important to grow.. explore... To remain stagnant is the sure path to death.  Embrace change, good and bad - hard and easy, and know that everything happens for a reason and when one door closes another opens.


What is Yoga Nidra?  Well yoga nidra, like vinyasa, levels, and hot, is a class with an intention.  The moon to the sun practice.

The Sanskrit word Yoga means ‘union’ or ‘one pointed awareness’ and Nidra means ‘sleep’. In Yoga Nidra, the body, mind and intellect are completely relaxed and one appears to be sleeping but the consciousness is functioning at a deeper level, and the subconscious and unconscious realms of mind get opened up. So yoga nidra is ‘dynamic sleep’ or in other words ‘psychic sleep’ in which you learn to relax consciously.

Marsha has incorporated bits of yoga nidra in classes building up to tonight and I have to say it is some of the most relaxing time I've spent just being.  You do stay at a level of consciousness.  You still hear her talking and guiding, but you are in a supporting pose completely relaxed. 1 hour of Yoga Nidra is equal to 4 hours of actual sleep.  Some people do fall completely asleep.  And that's okay!  Your body automatically does what it needs to keep you alive, and if you are low on energy you are gonna be snoring ;)

 How do you spend your moon practice?

Namaste

Ash


**update


The class was a huge slice of heaven!  45 minutes of yoga nidra was exactly what the naturopath ordered!  put a yoga fork in me!.. cause i'm relaxed :)





Saturday, September 24, 2011

That Sweet Soreness

Is what I look for in my practice.  If the pose is easy and aligned I take that as my body's indication to challenge myself further. A day after a dynamic wall yoga class by Rosa on Wednesday; my back, sides, biceps, and core are sore. That "muscles are full of blood and you worked the hell out of them" kind of soreness.  I took two weeks off from yoga in a combo of week vaca and then a week of rest. My body just wasn't feeling it and the moon cycle was a rough one.  But that sweet soreness pulls me back.  My body craves the movement, the challenge, the opportunity for my mind to be clear and in the moment.  And the ablitiy to push myself in directions I never thought I would get to.  And continue to do so!

I have now been practicing at least 4 times a week consistently since the first of May.  5 months of practice translates in my life to 28lbs lost and counting, a clearer calmer mind, accountability, being healthy, physical strength and stamina, and growing my practice further.  I plan to take the YogaWorks 200 RYT and teach in the community.  I want to share and give back the beautiful energy and guidance I have received from the Yogis I practice under :)

SatNam

Tuesday, September 20, 2011

Align Those Hips!

Lately I'm finding I need to work on my hip alignment.  To me, my hips feel aligned, but the teachers in the classes I go to are constantly adjusting my hips.  Last time I went to the chiropractor they took xrays and saw the my hips were already at an angle from favoratism of my right leg all the years I played soccer.  I sprang my ankles many a time on the right side and compensated for it on my left side thus throwing my hips off!  I love that the teachers align my hips for me.  It helps me become conscious of how the alignment feels and making the change in my asanas.   Standing in high lunge I find myself not know where my hips are all while making sure that my knee is over my ankel and my lower belly is in and my shoulders are down while breathing ;)  So here is an awesome article from Yoga Journal that I found to start helping me find my hip alignment.  Shanti!


Intuitive Alignment: Tadasana Hips


If you adjust a student in Tadasana (Mountain Pose), she will be aligned for a moment, but if you teach her how to feel Tadasana, she will be aligned for a lifetime. Tadasana is the root of all yoga postures, so improving it can revitalize a student's entire practice. Although it's simple in concept—just stand up straight—it's often a challenge for beginners because they can't see themselves in the pose. As teachers, we instinctively act as an extra set of eyes for our students, observing them from various angles and suggesting, through word, touch, or example, that they move one body part this way, another that way, until they line up better. This works for some students, but for others it can be an exercise in frustration—it can be hard for them to reproduce your corrections accurately on their own. What they really need is to learn what Tadasana alignment feels like from the inside so they can create it from scratch whenever they want. In this column, we'll focus on ways you can teach your students to feel a crucial element of Tadasana alignment: accurate placement of the pelvis and hip joints. In next month's column, we'll expand on this technique and apply it to teaching alignment of the whole body in Sirsasana (Headstand).
Before we launch into specifics, let's acknowledge that there is more than one path up the mountain. One excellent way to teach Tadasana that will not be covered here is to have your student stand with her back against a wall, make various adjustments, then maintain these adjustments as she steps away from the wall and re-establishes the pose. This can be very effective, but once your student is away from the wall she no longer gets ongoing sensory feedback from it about her body position. The techniques below are intended to teach your student how to get that kind of feedback from her internal sense organs. Once she has learned to listen to these sensations in Tadasana, she will be able to do the same in many other poses.
Before you can teach a student how to align her hips in Tadasana, she must position her feet and legs properly. Make sure she starts by:



  • pointing her feet straight ahead
  • distributing her weight equally between her inner and outer feet
  • extending (straightening) her knees completely
  • lifting her kneecaps and pointing them straight ahead.


  • With her feet and legs in place, you can teach her the four elements of positioning her pelvis and hips in Tadasana:


  • equalize hip height
  • neutralize pelvic tilt
  • neutralize front-to-back placement (whole pelvis not too far forward, not too far back)
  • point pelvis straight ahead (don't bring one hip forward of the other).
  •  
    Equalize hip height: Unless your student has an anatomical abnormality in her feet, legs or pelvis (such as a difference in bone length between her left and right legs), her hip joints will be at the same height as one another when her pelvis is centered between her feet. If her body is symmetrical left and right, her feet will bear equal weight when her pelvis is centered. So, in most cases, even though your student cannot see her own pelvis in Tadasana, you can teach her to equalize the height of her hips simply by instructing her to shift her pelvis left and right until she feels exactly the same amount of weight on her two feet. Students who have structural anomalies may require more complicated instructions that are beyond the scope of this column.
    Neutralize pelvic tilt: To help your student place her pelvis in a neutral (non-tilted) position, first have her place her fingers on her left and right pelvic rims (iliac crests) and trace forward along both rims until she locates the foremost point (the anterior superior iliac spine, or ASIS) on each side. (For an anatomical illustration that identifies most of the landmarks mentioned in this section, click here). Next, while she keeps her fingers on the fronts of these spines, have her bring her attention to the position of her pubic symphysis (the junction of the two pubic bones at the midline of the front of the pelvis, often incorrectly referred to by yoga teachers as "the pubic bone"). Have her tilt her pelvis backward (moving her ASISs backward and her pubic symphysis forward) or forward (ASISs forward, pubic symphysis backward) until the ASISs and the symphysis lie in the same vertical plane. In other words, the pubic symphysis should be neither in front of nor behind her two anterior superior iliac spines. For most students, this will create a neutral pelvic tilt. When she achieves it, your student will have a moderate inward curve in her lower back.
    Neutralize front-to-back placement of the pelvis: The instructions in this paragraph involve whole-pelvis movements, rather than tilt. They will help you teach your student to feel for herself how far forward or backward to place her pelvis relative to her feet. When she finds the right spot, her pelvis will balance naturally atop her legs. For some people, the optimal balance point is where the hip joints line up exactly above the ankle joints; for others, the ideal hip position may be a little forward of this.
     
    The technique described here will only work if your student's pelvis is in the neutral (non-tilted) position (see previous section). Note that as she experiments with different fore and aft positions of her pelvis it will probably tilt a little out of neutral. She will need to correct this to finalize the pose.
    To teach front-to-back hip placement, you will first show your student how to use palpation (feeling with her fingers) to identify the position she wants, then have her graduate to using internal sensations alone to guide her self-adjustments. We’ll explore ways to teach this from both the front and the back of the pelvis.  Here's how to do it from the front. First, starting in Tadasana, have your student lift one foot, flexing her hip until her thigh is parallel to the floor and her knee points straight ahead. Have her trace one fingertip up the midline of the front of her lifted thigh until she reaches the crease at the junction between the front of her thigh and her pelvis (her front groin). Here, she will find the tendon of her contracted rectus femoris muscle or the nearby sartorius muscle under her finger. (Note that the tendon will bulge out, interrupting the crease at this point.) Instructing her to keep her fingertip on this spot, have her lower her foot back to Tadasana and find the same "front hip crease" spot on the other side with the corresponding fingertip of her other hand.  Once she has her fingers in place, ask your student to press firmly inward (toward the back of her body), indenting the flesh enough to notice how springy it feels. Then have her deliberately shift her hips well forward of the Tadasana position (see photo, middle panel, but exaggerate the movement more) and notice what happens. The flesh will harden under her fingers as the rectus femoris and sartorius muscles stretch. Next, have her shift her hips backward so the front hip creases deepen (see photo, bottom panel). The flesh will soften under her fingers as the muscles slacken. Have her repeat the forward and backward shifting of her pelvis, reducing the range each time, until she can feel how slight movements produce subtle differences in the firmness of the muscles. Instruct her to find the position where the flesh under her fingers feels exactly half way between hard and soft. If she has not lost her neutral pelvic tilt, this halfway point will be the Tadasana position of the pelvis.  The next step is to teach your student to do the same thing without using her fingers. To do this, she will need to notice the internal sensations of stretching and relaxation that accompany the adjustments. She can follow the instructions below with her fingers in the same place as before at first (as a transitional step), then repeat the actions with her arms at her sides in classic Tadasana position. Have her shift her hips forward as before and notice the sensations of stretch that arise at the rectus femoris and sartorius. Then have her shift her hips backward and feel that the stretch disappears. As before, have her shift her hips alternately forward and backward, reducing the range with each repetition, and noticing how the forward movement creates a feeling of stretch and the backward movement creates a feeling of laxity. Instruct her to find the position where the muscles feel exactly half way between stretched and soft. This will be the Tadasana position.  It's very useful to teach your student to make similar adjustments from the posterior (rear) side of her body as well. In Tadasana, ask her to put her fingertips on her sitting bones (ischial tuberosities), slide them about one-half inch toward the floor, then press into the flesh immediately below the sitting bones. She will be pushing on the tendons of her hamstring muscles. With her fingers in place, have her tip her pelvis and trunk a few degrees forward at the hip joints as if starting to go into Uttanasana. She will feel her hamstrings contract, making them bulge slightly under her fingertips. Next, have her return to the upright position and shift her pelvis well forward of Tadasana. She will feel her hamstrings relax and recede under her fingertips. As she did when she was palpating her front hip creases, have her alternately shift her hips forward and back, making the movements more and more subtle until she finds the point of neutrality (hamstrings neither bulging nor receding, neither hard nor totally soft under her fingers). Once she can feel this balance with her fingers, help her make the transition to feeling it from the inside by noticing the internal sensations that arise just below her sitting bones as she moves her pelvis forward and backward in ever-diminishing oscillations.
    Once your student has learned to feel the internal sensations from both the front (hip creases) and back (hamstring origins) that signal neutral front-to-back alignment of her pelvis, have her neutralize both areas at the same time while practicing Tadasana. With practice, this will enable her to recreate the optimal position of her pelvis whenever she wishes without the help of a teacher or a wall.
    Point the pelvis straight ahead: Preventing the pelvis from turning to one side or the other is one of the most difficult aspects of Tadasana alignment to feel from the inside. To teach it, you'll have your student use a combination of palpation and internal sensation at first, then internal sensation alone, as you did with front-to-back placement.  First have your student identify the location of her ASIS and her greater trochanter on one side. The greater trochanter is the large knob of bone that protrudes from the outside of the upper thighbone (femur). While standing, your student can feel it just beneath the skin on the side of her thigh, a little below the level of her hip joints. Have her trace a line on her skin from the ASIS to the greater trochanter, and locate the midpoint of that line. Then, have her press the tip of her index finger firmly into the skin about one half to one inch in front of that midpoint. Ask her to press the same spot on the other side of her body at the same time. Her fingertips should end up a couple of inches to the outside of and slightly higher than the "front hip crease" points she pressed to feel front-to-back alignment (described above). Anatomically, she should be pressing on the anterior (front) part of her left and right gluteus medius muscles.  Once she has her fingers in place and pressing inward, ask your student to compare the "springiness" of the flesh and the internal sensations she feels on one side vs. the other as she alternately turns her pelvis left and right. Have her to notice how, as she turns to the left, the muscle under her left finger grows firm and there is an internal sensation of contraction, while on the right the muscle softens and the sensation of contraction disappears (and vice-versa when she turns the other way). Teach her to find the point where both her finger sensations and her internal sensations feel exactly balanced between the left and right sides. Finally, have her repeat the exercise with her arms at her sides in Tadasana position, using only her internal sensations, not palpation, to judge the point where the sensations are the same on the two sides. With practice, she should be able to align her pelvis so it points quite precisely straight ahead using internal sensations alone to judge her position.  All this subtle up-down, front-back, left-right adjustment of the pelvis is a lot for a student to process. It's a good idea to divide your instruction on the various aspects of Tadasana hip alignment into several separate lessons. Ultimately, the techniques described here will empower your student to find her own Tadasana. When she does, she will have a deeper understanding of alignment she can apply to every yoga posture.

    Roger Cole, Ph.D. is an Iyengar-certified yoga teacher (www.yogadelmar.com), and Stanford-trained scientist. He specializes in human anatomy and in the physiology of relaxation, sleep, and biological rhythms.

    Monday, August 15, 2011

    36 Days

    Today is day 36 of the 40 day Challenge at work at Blissful Yoga.  With 4 days of classes ahead of me here is where I'm at..

    1. Hot Yoga w/Delene
    2. Vinyasa w/Marci
    3. Yoga Wall w/Rosa
    4. Stretch & Restore w/Aleesha
    5. Bliss Flow w/Suzanne
    6. Yoga Fit w/Margie
    7. Restorative w/Carrie
    8. Hot Yoga w/Delene
    9. Vinyasa w/Marci
    10. Candle Light w/Tracy
    11. Vinyasa w/Aleesha
    12. Bliss Flow w/Tracy
    13. Restorative w/Delene
    14. Hot Yoga w/Delene
    15. Restorative w/Carrie
    16. All Levels w/Marci
    17. Home Practice
    18. Yoga Wall w/Rosa
    19. Home Practice
    20. Bliss Flow w/Suzanne
    21. Home Practice
    22. Extended Restorative w/Carrie & Josh
    23. Hot Yoga w/Craig
    24. Home Practice
    25. Yoga Wall w/Rosa
    26. Restorative w/Delene
    27. Yinyasa w/Delene
    28. Home practice
    29. Restorative w/Josh
    30. Candle Light w/Tracy
    31. Bliss Flow w/Marci
    32. Restorative w/Aleesha
    33. Flow & Restore w/Aleesha
    34. Monthly Ashtanga Primary w/John
    35. Restorative w/Marsha
    36. All Levels w/Marci
    37.  
    38.  
    39.  
    40.  
    I have to say that Yoga really is something else.  For anyone who doubts it.. that its a foofoo thing for only women.. step up and do 40 days of yoga.. and then ask yourself again.  I personally have lost 17lbs while participating in the 40 day challenge.  The strength in my body I lost over the past few years I have gained back.. plus some.  My body feels alive.  The 108 Sun Salutations to welcome the Summer Solistice was a profound moment for my mind and body.  These 40 days are a gift.

    I'm pumped for the NEXT 40 days in January :D  Even if I'm preg.. its going down.. Erin did it and she is going in Friday to have her son..  She came to Level I/II this morning. She is a rock star and is absolutely glowing.  And her practice is through the roof.

    Also getting our first Bountiful Basket this weekend :D  Super excited about that.  A really amazing women, Kate, inspired me to try it :)  Check out her blog.. Kate's Blog :)

    Well I'm off to put posole together in the crockpot.  I love that darn thing :D  Mom bought it for me a few xmas' ago and that bad girl does work son.

    Shanti!

    PS: my hubby is playing don't stop believing for me <3 even though he things journey is a butt band hehe

    Saturday, July 30, 2011

    Class Update :)

    Here is an update of classes I take/have taken at Blissful Yoga :)  I'd almost have to say that all of them are my fav... but Wall and Restorative are a bit ahead in the Favorite Class race ;)


    Purple Highlight means they have been conquered.. :D

    -All Levels
    -Ashtanga Primary (Monthly)
    -Blissflow
    -Candle Light Yoga Level I/II
    -Hot Yoga
    -Hot Yoga I/II
    -Intro to Yoga
    -Level I/II
    -Level II/III
    -Restorative Candle Light
    -Restorative Yoga
    -Stretch and Restore
    -Vinyasa
    -Yin Yoga
    -YinYasa
    -Yoga Core
    -Yoga Fit
    -Yoga Wall (ABSOLUTE favorite class)

    Shanti!